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18 Mar 2021 - 02:00 pm

I'm a humble chef, however, I am going to try to formulate my head concerning the film, because it's extremely dear to my heart.

If a person using a revolver gets from the train inside the prologue of Sergio Leone's film, then he or she must have something to say. The silent wanderer keeps a bitter story deep in their heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and as part of his eyes you can observe the fashion that has accumulated within the years. He is not who he seems. The wanderer's name is Douglas Mortimer, an ancient military man and after this a bounty hunter. If viewers from the film listen to the words on the flabby old man chained to your bed (a funny grandpa appears closer to the core film), they will learn the trains, these damned and noisy objects, are guilty for everything. Alas, but earthly hardships are not limited by trains and Douglas Mortimer is comfortable with this, his problem is made up of bones, flesh and blood. The smoothness, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but besides revenge is in the centre on the plot of Sergio Leone's brainchild, because as well as the retired colonel, you can find another hero in the film. Fast, accurate, discreet, another bounty hunter. At the least curious, but at most wildly interesting, especially if the “one-armed” shooter is played by Bruce Lee in the world of Westerns - Clint Eastwood. It's simple to reckon that the paths of Mortimer and also the nameless shooter will cross under the sun of your wild west. The spaghetti has already been from the pot.

In A Few Dollars More, phrases including “in 10-20 minutes you will end up smoking in hell” or “you want a new sheriff” are inevitable. The hero of Clint Eastwood is shown as being a shooter whose abilities is relevant inside a sci-fi novel, but everything is claimed is not attributed on the disadvantages from the narrative. Even the most absurd moments within the Western genre and in the skillful direction of Sergio Leone become salt for spaghetti, and the story plot of your partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers for the screens, which are most likely visited by such thoughts: ¬¬ “I'm wondering what can happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few dollars more” - shootings, chases, music of the hands of time, personifying the arrival of death, here satire, as well as foolishness, lives alongside with drama and ironically interpreted religious motives. And, finally, situation shown by Sergio Leone is the archetype of several paintings, where partnerships flow into friendship, though into a sort of friendship, on this friendship an associate can shoot a buddy from the neck making sure that he is not killed by way of the thugs of the last boss. The hearth is burning under the pan. The spaghetti actually starts to boil.

Sergio Leone's tape is indeed a classic of the genre, and that is easy to understand by the noise of bullets fired with the heroes, bank robberies plus the long glances that two shooters exchange prior to a decisive shot, that shot that decides human destiny. The creators not merely draw attention to their creation (and they do it well), but also touch on burning topics in certain instances of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. In addition, it's in excess of interesting to watch a bunch of Clint Eastwood and Lee Van Cleef - the heroes of that old and new generation of westerns who, finding yourself in photographs of Manco (One-armed) and Colonel Mortimer, now and continue to prove something together, competing from the possession of a revolver and doing of sieve hats. Hmm, something's heating up in your kitchen, phew, you need to serve spaghetti about the table. Winnie, the guests are waiting, hurry up, they are hungry and now taste Leone's signature spaghetti. It's tricky with an expressive chef to find a very good helper these days. Spaghetti is served, but wait 60 seconds, dear guests.

Undoubtedly, Sergio Leone in the “A Few Dollars More” demonstrates to the world of cinema the lion's share of his talent and professionalism, and the photo itself may very well be hypertrophied dominating before the 1st film from the trilogy, which attracted a person's eye from the expressive Akira Kurosawa. Ages later, Leone's brainchild efforts to please numerous people, as well as the film succeeds: those viewers who wish a dramatic story comprehend it, those who love shooting and duels are satisfied, and connoisseurs of satirical humor will probably be satisfied after watching. Structure music, it is possible to speak briefly - Ennio Morricone. Dear listeners, perhaps I am too excited, making my thoughts slightly confused, but for those who watch an excellent film of my fellow countryman at least one time, you can be convinced of your correctness of my words. However, I will not hide my bias, I truly love the stories about the shooters on the wild west, where there's 2 not the same bounty hunters chasing exactly the same victim, but is not the exact same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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